Re: [ET2] Applying Your Message...

IJilly_at_Y8myn5I7RdaXHhFjMeZLXMYWdCQDAZoJYAhsSVCKh_1XooJ6O9t7q6SCx_YqHZ9IkQelSnR6.yahoo.invalid wrote:

> This is fabulous, Silvia, and I found myself laughing out loud and thinking
> of what I teach my community college study skills students in Reading 116.
> I'll definitely print this out and use this as a tool in the future. What
> applications it has!
>
> And I imagine I can use it right now for other subject areas.
>
> Jill Marie
> Who is, unfortunately, not Teaching 116 this semester
> but Public Speaking, Interpersonal Communication
> and Technical Writing

Hi Jill Marie!

Well, I don't know how much EmoTrance you can just simply sneak in conversationally, but those topics - public speaking, interpersonal communication and technical writing are all prime candidates for EmoTrance applications.

The public speaking reminds me of a gentleman at one of the very first introductions I ever gave. He'd come along only to accompany his wife, had no interested in "woo woo energy stuff" whatsoever and was just sitting there.

Out of curiosity, I took him as a partner in an exercise on shields.

He turned out to be a parish priest and when I offered him the opportunity to improve something or work on something with me personally, he said, "Alright, can you improve my public speaking skills?"

I asked him to tell me how it was at present, how he experienced public speaking (which priests do a lot of, obviously!) and he immediately modelled this THICK wall with both hands into the air, all the way from his belt up and to over his head, a foot away from him and at least a foot thick.

I stopped him in mid movement, showed him this and he was completely, "Wow! That's exactly what it feels like ... I could never explain it to my teachers properly ... they never understood ..."

Which was kinda funny, because he modelled it and showed it to me "with his hands" because the energy wall WAS ABSOLUTELY THERE, and thus of course it would always feel exactly like that!

LOL.

Anyway, when we had dissolved the wall to the size of a coin, he flashed into a memory of his father screaming at him from a very close distance, habitually, screaming into his face. So there were some secondary locations to heal before the wall could go.

I actually made him in the show and tell part of the training address, and then BLESS, the entire group.

That was something else. For him and for us who were there. And the energy conversion had been achieved ...

But apart from memory lane, this pattern of detachment with a big shield between the speaker and the audience, which then leaves the speaker in limbo and incapable of "reaching" the audience, which then leads to ineffectual flailing and panic attacks as there is no natural communication, no flow, no nothing but bad feelings which get worse, the longer it goes on, is extremely common.

The shield protects the central injury in the energy system, and depending on how young a person was when the damage was done, the less capable of interpersonal communications they are, because once the shield is there, they get Peter-Pan stuck in that particular developmental stage with their communications skills across the board, not just public speaking.

Communication is a PRIME candidate for EmoTrance, because that is totally about feedback and flow in all ways.

In the written format as well, I could write a whole book on how disturbances and reversals in the energy system create "breaks" in state, and thought, which is then reflected in disjointed and stuttery writing, and of course, leads to illogical leaps of argument at the same time.

Then we've got the other end of the process, namely having the words that you are going to speak DELIVERED to your consciousness in the first place - which also gets illogical, stuttery and disjointed when there are energy reversals or flow problems present, right down to when people go "blank" and all delivery of information has ceased altogether.

And this is completely systemic across the board of human endeavour. It's not just language, but music and art just the same, and then we have ALL MOVEMENT, and in the end, actually, ALL BEHAVIOUR.

But going back to what you're teaching, wow, what an opportunity for you to play a little behind the scenes, without even anyone noticing, and to really get a sense of how much difference energy awareness makes to every human endeavour.

Very cool!

Silvia

           
Received on Sat Aug 26 2006 - 11:54:14 BST